Announcing the Next Lineup for the First Person Plural Reading Series (Virtual) on Sunday, September 12, 2021!

Join us via Zoom on Sunday, September 12, 2021 from 6-8pm for the next reading by the First Person Plural Reading Series featuring Allen Gee, Robert Jones, Jr., Kevin McIlvoy, Peter Markus and Vanessa K. Valdés, hosted and curated by Stacy Parker Le Melle. Each writer is extraordinary and I am thrilled that they will join us for this reading. Admission is free. Zoom login information will be shared prior to the event. RSVP here.

More about the writers:

Gee3Allen Gee is the author of the essay collection, My Chinese America.  He recently completed a novel, The Laborers, and is currently at work on At Little Monticello: the James Alan McPherson biography, (UGA Press).  He’s been the Editor at Gulf Coast, Fiction Editor at Arts & Letters, and Editor of the multicultural imprint 2040 Books.  His essay Old School won a Pushcart, and his work appears in numerous journals, as well as the anthology, Dear America.  He is currently the D.L. Jordan Distinguished Chair of Creative Writing at Columbus State University where he also serves as the Director/Editor of CSU Press.

Robert Jones Jr._credit Alberto Vargas RainRiver Images _croppedNew York Times-bestselling author Robert Jones, Jr., was born and raised in New York City. He received his BFA in creative writing with honors and MFA in fiction from Brooklyn College. He has written for numerous publications, including The New York Times, The Paris Review, Essence, OkayAfrica, The Feminist Wire, and The Grio. He is the creator of the social-justice social media community Son of Baldwin. The Prophets is his debut novel. Photo Credit: Alberto Vargas RainRiver Images.

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Peter Markus is the author of several books of fiction, among them the novel Bob, or Man on Boat, and the collections of shorter fiction The Fish and the Not Fish, We Make Mud, and Good, Brother. He is also the author of Inside My Pencil, a work of non-fiction about the work he’s been doing for over two decades as a writer-in-residence with InsideOut Literary Arts in Detroit. A new book of poems, When Our Fathers Return to Us as Birds, is forthcoming in September of 2021. 

Head Shot McIlvoy - (Hi-Res)-4Kevin McIlvoy’s novel One Kind Favor (WTAW Press, May 2021) is his eighth published book. He has published five novels, A Waltz (Lynx House Press), The Fifth Station (Algonquin Books of Chapel Hill; paperback, Collier/Macmillan), Little Peg (Atheneum/Macmillan; paperback, Harper Perennial), Hyssop (TriQuarterly Books; paperback, Avon), At the Gate of All Wonder (Tupelo Press); and a short story collection, The Complete History of New Mexico (Graywolf Press). His short fiction has appeared in Harper’s, Southern Review, Ploughshares, Missouri Review, and other literary magazines. His short-short stories and prose poems have appeared in The Scoundrel, The Collagist, Pif, Kenyon Review Online, The Cortland Review, Prime Number, r.k.v.r.y, Waxwing, and various online literary magazines. A collection of his prose poems and short-short stories, 57 Octaves Below Middle C, has been published by Four Way Books (October 2017). For twenty-seven years he was fiction editor and editor in chief of the national literary magazine, Puerto del Sol. He taught in the Warren Wilson College MFA Program in Creative Writing from 1987 to 2019; he taught as a Regents Professor of Creative Writing in the New Mexico State University MFA Program from 1981 to 2008. He has lived in Asheville, North Carolina since 2008.

Dr. Vanessa K. Valdés is the director of the Black Studies Program at The City CollegeScreen Shot 2019-10-09 at 10.51.18 PM of New York-CUNY. A graduate of Yale and Vanderbilt Universities, and a Professor of Spanish and Portuguese, her research interests focus on the cultural production of Black peoples throughout the Americas: the United States and Latin America, including Brazil, and the Caribbean. She is the editor of The Future Is Now: A New Look at African Diaspora Studies (2012) and Let Spirit Speak! Cultural Journeys through the African Diaspora (2012). She is the author of Oshun’s Daughters: The Search for Womanhood in the Americas (2014) and Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg (2017). Her latest book, Racialized Visions: Haiti and the Hispanic Caribbean (2020) is an edited collection that re-centers Haiti in the disciplines of Caribbean, and more broadly, Latin American Studies.   

FPP Interview: Samantha So Lamb

Screen Shot 2020-12-29 at 5.58.11 PMWe only mark in days, weeks how long it’s been since writer Anthony Veansa So passed away. I identified him as a writer in that first sentence, but he was of course a son, a brother, a partner, an uncle, a friend, and so much more to the communities that mourn him. Anthony had committed to reading at “The Way Forward” right before his death. I asked his elder sister Samantha So Lamb and his partner Alex Torres to read and memorialize Anthony as part of the night. In this interview, Samantha shares what her grief has been like so far, what it was like to have Anthony as her brother, and what it was like to read his work in-depth for the first time. We welcome you to join us on Sunday, January 17th for “The Way Forward,” to hear Samantha and Alex. They will participate with writers Ibrahim Abdul-Matin, Desiree C. Bailey, Roberto Carlos Garcia, Max S. Gordon, Sara Lippmann, and Gloria Nixon-John. RSVP here.  – SPL

Do you feel you’ve been able to grieve as necessary? Has anything surprised you about your grief?

Anthony was my only brother and we were very close. He also was the only son for my traditional Cambodian parents. When he passed, my parents were devastated and still are.

imageI had to step up in the first 3 weeks following his death. I planned the funeral – we did a mix of traditional Cambodian rituals tailored to a pandemic and modern American burial norms. In the moment, I was in disbelief that I was burying my younger brother, during the COVID-19 pandemic, while his book was starting to get recognition, and having to do it with Cambodian traditional funeral beliefs. I was not equipped to do any of that. It never crossed my mind that I would have to bury my brother. I haven’t been to any funerals during the COVID-19 pandemic. I didn’t know that his work was so well received (he never shared it with us). Most of all, the last time I attended a traditional Cambodian funeral was when my aunt died when I was 12. I had no idea what I was doing.

Everything worked out in the end and we wrapped up all of the funeral rituals days before Christmas. It wasn’t until after Christmas, when everyone went home and life turned to normal, was when the grief started. Grief does weird things like unlock trauma that has been buried deep down inside. I think that has been the most surprising, that the grief has opened up something deeper that I will need to seek additional help for.

Tell us about Anthony as your brother.

Anthony was the best brother, uncle, and son my family could ever ask for.  He was always the most reliable, although he was sometimes questionable on his timing. When I would inevitably ask him to do a favor he would never complain, at least not about doing favors…and at least not directly to my face. On the day of my engagement party, he drove across Stockton to pick up my favorite dessert which I absolutely had to have (and it tasted all the more amazing because he did it just for me).  On another occasion, I remember, after feverishly scouring Craigslist from Oakland to Richmond for a specific $22 Ikea chair, I was able to locate one in San Francisco for $7. I convinced my brother, on a Thursday evening, to drive to a random stranger’s apartment in the Mission, with cash, to pick up said chair, and bring it all the way back to my house in Pinole and he did it, without hesitation. That was sibling dedication.

Anthony was a devoted uncle to our son, Oliver. He loved to sing “Baby Shark” to Oliver extremely off-beat, on purpose, usually while glancing at me to make sure I was thoroughly annoyed. He always said that he would never have children himself. Instead, he would choose one of mine to be his favorite, send them to a fancy private school, and potentially fund their Olympic fencing career as a means of becoming a Stanford legacy admit.

Years from now, we will tell our children how free-spirited, fun and hard-working he was. Seriously, he was his own spirit, you should have seen him dance at my wedding. I’ve never seen anyone actually dance like Charlie Brown from Peanuts.

What do you love most about Anthony’s work?

Screen Shot 2021-01-10 at 5.41.36 PMWhen I read Anthony’s work, it is so personal and real. I can read parts of his story and know where he spun the story from, what memory he took from our childhood, what character traits he gathered from our family. On one hand, it is fiction. On the other hand, it is my family’s story told from his perspective. It takes me back to a place that gives me a warm feeling but it also pains me because he reveals feelings he has never told me or my family before. Reading some of his pieces over the past weeks has made me realize just how much he loved my family, how he was inspired by their stories, and how he had found his true calling in being a voice for Cambodian Americans, specifically from Stockton.  For that, he makes me proud to be his sister.

What is something we should take with us on the way forward?

I know what I will be taking on my way forward through this traumatic time of my life. I will hug my partner every single night, I will tell my son I love him every single day.  I will take risks in my career, use up my vacation time, and won’t be afraid to use a mental health day. As an educator, I will pay more attention to my LGBTQ students. I will practice more mindful strategies with them, as well as advocate for social-emotional awareness.