Announcing the First Person Plural Season Finale: Tuesday, May 9th!

New York City is warming up: join the First Person Plural collective and Shrine bar in Harlem for the final reading in our 2016-2017 showcase, and let our literary heat carry you through to summer! Tuesday May 9th, 7:00pm, will feature readings by Terry Blackhawk, Alexander Chee, Sonya Chung and Deborah Emin.

Shrine is located at 2271 Adam Clayton Powell (7th Ave) between 133rd and 134th in Harlem.  By subway: 2/3 to 135th, or B/C to 135th.  As always, admission is free.

TerryBlackhawkA former Detroit high school teacher, Terry Blackhawk founded InsideOut Literary Arts Project in 1995 in order to encourage children and youth in Detroit classrooms to “think broadly, create bravely, and share their voices with the wider world.” She is the author of three chapbooks and four full-length collections of poetry including Escape Artist (BkMk Press), winner of the John Ciardi Prize, and The Light Between, from WSU Press. Her poems have been published in numerous journals and anthologies and on line at sites such a Verse Daily, Solstice and The Collagist. She was twice named Michigan Creative Writing Teacher of the Year through the Michigan Youth Arts Festival. Other awards include the Pablo Neruda Poetry Prize from Nimrod International, a Michigan Governor’s Award for Arts Education, and grants from the National Endowment for the Humanities and Michigan Council for the Arts. Blackhawk holds an honorary doctorate as well as a Ph.D. from Oakland University. She is a Kresge Arts in Detroit Literary Fellow and blogs for the Detroit Huffington Post.

Photo by M. SharkeyAlexander Chee is the bestselling author of the novels The Queen of the Night and Edinburgh. He is a contributing editor at The New Republic, an editor at large at VQR, and a critic at large at The Los Angeles Times. His work has appeared in Best American Essays 2016, The New York Times Magazine, Slate, Guernica, and Tin House, among others. He is an associate professor of English at Dartmouth College. His first collection of essays, How to Write an Autobiographical Novel, is forthcoming from Houghton Mifflin Harcourt in 2018.

Photo credit: M. Sharkley

Sonya Chung is the author of the novels The Loved Ones (Relegation Books, 2016)—
SonyaChung_Headshot_12x300selected for Kirkus Best Fiction 2016, Library Journal Best Indie Fiction, Indie Next List, TNB Book Club, and Buzzfeed Books Recommends—and Long for This World (Scribner, 2010). She is a staff writer for The Millions and founding editor of Bloom—a community and literary site that highlights the work of authors who debut after the age of 40—and is a recipient of a Pushcart Prize nomination, the Charles Johnson Fiction Award, the Bronx Council on the Arts Writers’ Residency, a MacDowell Colony Fellowship, and a Key West Literary Seminars residency. Sonya’s stories, reviews, & essays have appeared in The Threepenny ReviewTin HouseThe Huffington PostBuzzfeedThe Late American Novel: Writers on the Future of BooksShort: An International Anthologyand forthcoming in the anthology Wherever I’m With You (Seal Press), among others. Sonya has taught fiction writing at Columbia University, NYU, Gotham Writers’ Workshop, and College of Mount St. Vincent. Currently she lives in New York City and teaches at Skidmore College. Sonya was born in Washington, DC, and has lived in Seattle and New England.  She loves wandering urban streets, growing vegetables, dogs, Paris, bourbon, good TV, cigars, audiobooks, three-minute poached eggs, baking, boots, motorcycles, and kindness.  She is passionately DIY, an introvert, and prefers small living spaces to large ones.

Photo credit: Robin Holland/robinholland.com

Deborah Emin-headshotDeborah Emin is the founder/publisher of Sullivan Street Press which she began in order to help bring the publishing industry into a more supportive relationship with our environment. She also began the company in order to protect her own intellectual property (that is, her first novel, Scags at 7, which had been pulped in the course of its first publisher going bankrupt). Deborah is completing the final volume of this Scags Series in 2018 with the publication of Scags at 45, which brings the number of novels in the series to four. Not able to let go of her character, Scags, Deborah is creating a brand new set of novels that are political thrillers, written by her character, Scags Morgenstern, with the first one, Born Loser, Born Lucky, due out in early 2018 as well. Besides working in the publishing field, she has also worked as a creative writing teacher, primarily for Gotham Writers Workshop, as a writer for Gay City News and Thrive, as a political blogger for Dennis Kucinich’s 2008 presidential campaign and has volunteered for City Harvest, the Bowery Rescue Committee, the Richmond Hill Library and has run a reading series in her neighborhood of Queens for a number of years. Deborah is married to Suzanne Pyrch and with her, she travels every summer all over the country. In addition to car camping, they run the Itinerant Book Show, a meet and greet with bookstores and libraries along the routes they follow.

The First Person Plural Season Finale takes place on Tuesday, May 9th 2017, 7:00pm, at Shrine World Music Venue, 2271 Adam Clayton Powell in Harlem, NYC.

Find us on Twitter here, @fppharlem, on Instagram here, @fppharlem, and on Facebook here, First Person Plural Reading Series—Harlem,

January 28, 2013: What a Great Night!

The sleet deterred neither our artists nor our big, warm FPP audience!  We had a fabulous time listening to work by Stacey D’Erasmo, Monica Ong, and Michael Thomas, and to DJ Lady DM‘s groovy opening and closing sets.

Stacey D’Erasmo‘s forthcoming novel tells the comically bittersweet story of a singer trying to make a comeback years after her youthful success.  The excerpt D’Erasmo read led us into fascinating first person plural territory, as the main character recalls the making of her second album, a spectacular failure: seven musicians and producers hole up in a chateau and become a “we,” bonding over drugs and isolation and the mating calls of deer in the woods around them. But the artistic transcendence they feel never manifests in the music.  Monica Ong combined projected images and poems to stunning effect.  Her first image was a childhood photograph of her mother gathered with her mother and six siblings.  The accompanying poem revealed that her mother was one of the three “boys,” dressed and staged so that the family would not lose face from a surfeit of girls.  Her next images and poems brought us into human physiology, giving voice to the silent mechanisms of the body– to the body’s frightening failures and the way we fail our bodies through cultural mores and silence.  She closed with a moving poem written for the FPP reading in response to the Sandy Hook shootings.  Michael Thomas read an electrifying essay from his forthcoming collection.  He recounts a roadtrip he took with his brother who was recently arrested and floundering; as he departs, he fears the trip is ill-advised, that two black men on the highway at night are an easy target for police, and that his unrestrained, undiscriminating brother might threaten Thomas’s hard-won equilibrium and the privacy of mind he fiercely protects.  The essay was a challenge to the comfort and validity of the “we.”  Thank you to our readers for a compelling array of work and for their responses to the FPP theme.  Special thanks, again, to DJ Lady DM who closed out the night with more great music (that very nearly got us dancing– okay, maybe we danced a little)!