“Getting Detroit Right: an Interview with Filmmaker Pam Sporn”

Pam SpornThe Huffington Post recently spoke with Pam Sporn about the politics of storytelling in Detroit.  Sporn also goes in-depth about her new documentary Detroit 48202.  She will screen a portion of this film at the November 19th reading.

Here’s an excerpt:

What makes a Detroit story “right” depends on your point of view. For me, a Detroit story that “gets it right” is one that foregrounds the experience of everyday Detroiters and one that has a social justice framework. I emphasize social justice because I think working-class Detroiters have been dealt a great injustice by having wealth, jobs, and public services being sucked out of their city.

I don’t think an “outsider” can pop in and tell a story like that, but just by virtue of living in Detroit doesn’t mean a person will tell a story that asks the critical questions needed to create social change. It’s probably easier for an outsider to create a story that exploits Detroit’s situation but an “insider” could also be so invested in a kind of boosterism that might prevent them from including anything that might make Detroit “look bad.”

To read more, go here.

Announcing Our November 19 Lineup!

We can’t wait for our next reading at Shrine on November 19th, which will feature novelist and political commentator Ru Freeman, poet Randall Horton, fiction writer Karen Russell, and documentary filmmaker Pam Sporn.  The readings will begin at 7pm, while Zubetei will begin at 6:30 with a DJ set and close the night with a second set.  Shrine is located at 2271 Adam Clayton Powell Jr Blvd in Harlem, New York.  We hope to see you there!

rubioRu Freeman was born into a family of writers and many boys in Colombo, Sri Lanka. Her political writing appears in English, Sinhala, and Farsi. She is the author of A Disobedient Girl (Atria/Simon & Schuster, 2009) and On Sal Mal Lane (Graywolf Press, 2013), both of which have been translated into multiple languages including Hebrew, Italian, French, and Chinese, and both of which were long-listed for the DCS Prize for South Asian Literature. She is a contributing editorial board member of The Asian American Literary Review, and a fellow of the Bread Loaf Writer’s Conference, Yaddo, and the Virginia Center for the Creative Arts. She has worked in the field of American and international humanitarian assistance and workers’ rights, and writes for the Huffington Post on literature and politics. She is a national speaker who teaches at Columbia University and lives in Philadelphia.

Bio Pic GtownRandall Horton is the recipient of the Gwendolyn Brooks Poetry Award, the Bea Gonzalez Poetry Award and most recently a National Endowment of the Arts Fellowship in Literature. Randall is a Cave Canem Fellow, a member of the Affrilachian Poets and a member of The Symphony: The House that Etheridge Built. Randall is Assistant Professor of English at the University of New Haven. An excerpt from his memoir titled Roxbury is published by Kattywompus Press. Triquarterly/Northwestern University Press in the publisher of his latest poetry collection Pitch Dark Anarchy. He currently lives in NYC.

Karen_Russell_6590Karen Russell, a native of Miami, is the author of St. Lucy’s Home for Girls Raised by Wolves (2006), for which she was named a National Book Foundation “5 Under 35”; Swamplandia (2011), for which she was short-listed for the Pulitzer Prize, and Vampires in the Lemon Grove: Stories (2013).  She is the recipient of a 2013 MacArthur “Genius” Fellowship and has been featured in both The New Yorker’s debut fiction issue and New York Magazine’s list of twenty-five people to watch under the age of twenty-six. She is a graduate of the Columbia MFA program and is the 2005 recipient of the Transatlantic Review/Henfield Foundation Award; her fiction has appeared in magazines such as Conjunctions, Granta, Zoetrope, Oxford American, and The New Yorker.

pam sporn

Pam Sporn is a Bronx-based documentary filmmaker whose work interweaves historical narratives and personal storytelling. Pam is currently editing Detroit 48202: Conversations Along a Postal Route, a look at the changes in Detroit over the last 30 years through the eyes of a mailman. Her earlier films have screened at many venues and festivals including the Anthology Film Archives, The Havana Film Festival, The Chicago International Latino Film Festival, The London International Documentary Film Festival, and at colleges and community media centers nation-wide. Her work includes Con El Toque De La Chaveta/With a Stroke of the Chaveta, which traces the tradition of “el lector” reading to cigar makers while they work; Cuban Roots/Bronx Stories, a look at immigration, racial identity, and US-Cuban relations through the lens of one Afro- Cuban-American family; Recordando EL Mamoncillo/Remembering the Mamoncillo Tree, a joyous documentary short about the annual dance held by El Club Cubano Inter-Americano in New York City for the last three decades; and Disobeying Orders: GI Resistance to the Vietnam War. She is also in development on her documentary A Humble Giant: 70 Years Defending Immigrants and Radicals, about legendary immigration lawyer Ira Gollobin.

 

An Electric Night with Belladonna Collaborative

Tuesday night was a special First Person Plural Harlem reading, as it brought three thrilling poets all published through Belladonna Collaborative to the FPP stage.  The Belladonna* mission is to “promote the work of women writers who are adventurous, experimental, politically involved, multi-form, multicultural, multi-gendered, impossible to define, delicious to talk about, unpredictable and dangerous with language.”  r. erica doyle, Tonya Foster, and LaTasha N. Nevada Diggs were all that and more!

photo 2 (15)r.erica doyle began the night by incanting Trinidad through its language and rhythms– a Trinidad alive and present in doyle’s voice.  She read next an epic of “unrequited love” from her collection, proxy, which spanned enough iterations of love and sex and urgent (brainy, raw, sexy) dislocutions to last a lifetime.  We held onto the edges of our seats!

Tonya Foster began with “A Mathmatics of Chaos,” an essay about New Orleans that photo 1 (18)turns into an “Bibliography,” a spell-binding compendium of the language of her home from A to Z and back again to A– the by-words, watch-words, and front porch conversations that define New Orleans from within and without.  She went on to read from “A Swarm of Bees in High Court,” her poetry collection forthcoming from Belladonna*.  She gave us a spare and arresting music, with lines like, “…as if to show him the winter between words and his budding fists.”

LaTasha N. Nevada Diggs closed out the evening with riveting multi-media renditions of poems from her collection, Twerk, also from photo 1 (19)Belladonna*.  She laid down and looped vocal tracks– beats, soaring calls, chatter, and melodic lines– then layered the finely-tuned rhythms of her poems over the tracks.  And with each piece, the layers deepened as the poems folded in another language or dialect, giving us the ultimate in hybridity, a global polyglot.  Japanese, Maori, Olelo Hawai’i, Spanish, creoles from around the world.  Her pieces were songs, they were manifestos; they were in turns joyful, comedic, and searing. Her work filled the room and we were literally hollering for more.

 

As we will say to people for a long to come: it was really something special. We hope to see you at our next event on November 19th!

Tonight is the Night!

1391964_523049554445793_832963577_nOur second reading this season is in partnership with Belladonna Collaborative and features three stellar poets: r. erica doyle, Tonya Foster, and LaTasha N. Nevada Diggs.  The Belladonna* mission is to “promote the work of women writers who are adventurous, experimental, politically involved, multi-form, multicultural, multi-gendered, impossible to define, delicious to talk about, unpredictable and dangerous with language.” Join us tonight at 7:00pm on at Shrine in Harlem.  As always, admission is free.

Announcing Our October 15 Lineup in Partnership with Belladonna Collaborative

We at First Person Plural are thrilled to announce that our second reading this season is in partnership with Belladonna Collaborative and features three stellar poets: r. erica doyle, Tonya Foster, and LaTasha N. Nevada Diggs.  The Belladonna* mission is to “promote the work of women writers who are adventurous, experimental, politically involved, multi-form, multicultural, multi-gendered, impossible to define, delicious to talk about, unpredictable and dangerous with language.” This is a mission we wholeheartedly support!  Join us at 7:00pm on Tuesday, October 15 at Shrine in Harlem.  As always, admission is free.

ericar. erica doyle was born in Brooklyn to Trinidadian immigrant parents, and her first book, proxy, was published by Belladonna Books in 2013. Her work has appeared in Best American Poetry, Our Caribbean: A Gathering of Gay and Lesbian Writing from the Antilles, Bum Rush the Page: A Def Poetry Jam, Gathering Ground: A Reader Celebrating Cave Canem’s First Decade, Ploughshares, Bloom, Blithe House Quarterly and Sinister Wisdom.

She has received grants and awards from the Hurston/Wright Foundation, the Astraea Lesbian Writers Fund, and the New York Foundation for the Arts. Erica is a Cave Canem Fellow and received her MFA in Poetry from The New School. She lives in New York City, where she is an administrator in the NYC public schools and facilitates Tongues Afire: A Free Creative Writing Workshop for queer women and trans and gender non-conforming people of color.

Tonya-portraitTonya Foster is the author of poetry, fiction, and essays that have been published in a variety of journals. Tonya has worked as a teacher at City College’s Bridge to Medicine Program, the Saturday/Outreach Program at the Cooper Union for the Advancement of Science and Art, and the Middle School Program at Wadleigh Middle School.

The author of A Swarm of Bees in High Court (forthcoming from Belladonna Press/Futurepoem Books) and co-editor of Third Mind: Creative Writing Through Visual Art (Teachers & Writers Collaborative, 2002), her research interests include 19th and 20th century poetries of the Americas; 20th century poetics; the poetics and politics of space; African diaspora fiction; and Afro-futurism; and dystopias.

Tea Time by TateLaTasha N. Nevada Diggs is a writer, vocalist and the author of TwERK (Belladonna, 2013). Her poetry has been published in Ploughshares, Jubilat, Fence, Rattapallax, Nocturnes, and LA Review. She has received awards from Cave Canem, Harvestworks Digital Media Arts Center, New York Foundation for the Arts, Harlem Community Arts Fund, Jerome Foundation, Barbara Deming Memorial Grant, and Lower Manhattan Cultural Council. She is a native of Harlem.

 

Announcing our September 10 Lineup at Shrine, Harlem!

Though there’s a lot more summer left to devour, we’re excited to announce the kickoff of First Person Plural Harlem’s third season!   We welcome journalist and novelist Siddhartha Deb, fiction writer Danielle Evans, and biographer and critic Elizabeth Kendall; we’re also very thrilled to have dancer and choreographer Ashley Byler return with new work.  The event will start with a groovy set by our resident DJ Lady DM at 6:30 pm, followed by the reading 7pm, and a closing set by Lady DM.

Born in northeastern India in 1970, Siddhartha Deb is the author of the novels, The Point of Return, a New York Times Notable Book of the Year, and An Outline of the Republic, a book of the year in the Daily Telegraph. He is the recipient of grants from the Society of Authors in the UK and the Nation Institute and has been a fellow at the Radcliffe Institute of Advanced Studies at Harvard University. His latest book, a work of narrative nonfiction, The Beautiful and the Damned, was a finalist for the Orwell Prize in the UK and the winner of the PEN Open award in the United States. His journalism, essays, and reviews have appeared in Harpers, the Guardian, the Observer, The New York Times, Bookforum, the Daily Telegraph, the Nation, n+1, and The Times Literary Supplement.

Danielle Evans is the author of the short-story collection Before You Suffocate Your Own Fool Self, which was a co-winner of the 2011 PEN American Robert W. Bingham Prize for a first book, a National Book Foundation 5 under 35 selection for 2011, the winner of the 2011 Paterson Prize for Fiction and the 2011 Hurston-Wright award for fiction, and an honorable mention for the 2011 PEN/Hemingway award.  It was named one of the best books of 2010 by Kirkus Reviews and O Magazine, and longlisted for The Story Prize.  Her work has appeared in magazines including The Paris Review, A Public Space, Callaloo, and Phoebe, and has been anthologized in The Best American Short Stories 2008 and 2010, and in New Stories from the South. She received an MFA in fiction from the Iowa Writers Workshop, was the 2006-2007 Carol Houck Smith fellow at the Wisconsin Institute for Creative Writing, and now teaches literature and creative writing at American University in Washington DC.

Elizabeth Kendall is a dance and culture critic and a professor at New York’s New School (Eugene Lang College and Liberal Studies graduate faculty).  Her book Balanchine and the Lost Muse:  Revolution and the Making of a Choreographer, was published in July, 2013, by Oxford U. Press.  She has also written Where She Danced, The Runaway Bride: Hollywood Romantic Comedy of the l930s and two memoirs, American Daughter and Autobiography of a Wardrobe.  She grew up in St. Louis.

 

Ashley Byler was born in Rocket City, U.S.A. She received a BA in Music and Psychology from the University of Alabama in Huntsville and an MFA in Dance from Sarah Lawrence College. Her work has been seen as part of Dance Theatre Workshop’s Studio Series, The Field’s Uptown/Downtown, Movement Research at the Judson Church and as commissioned by Ketchikan Theatre Ballet. She is an arts educator at The Eliza Frost School and dances with Sara Rudner. Her recent concerns as an artist hover around reclaiming the term pedestrian from the post-modern dance tradition, redefining it through popular social dance movement and applying rigorous compositional techniques associated with some heroes of the Judson Church in the 1960’s.

DJ Lady DM describes herself as a “musical expat,” an apt description for her fearless take on crossing genres of dance-able music, and is probably one of the only DJs in NYC who can claim having spun a party at the Hell’s Angels in the E. Village. With roots stemming from the legendary musical island of Jamaica in the Caribbean, Lady DM’s story begins in 1995, in NYC as a student radio host on FIT’s station, by day; and avid regular at parties like Theo Parrish’s SugarBabies by night. Two years later, she begins her ascent of the city’s DJ circuit proper, as part of an all-female DJ lineup at the Limelight. By late 99’-10’, while based in Berlin, Lady DM regularly hosted radio shows in Zurich, and Berlin, while jetting around Europe entertaining crowds at legendary parties at Amsterdam’s Mazzo Club, Zurich’s Lethargy, and Berlin’s WMF. In Berlin, Lady DM also curated events, with Berlin’s then up-and-coming artists, such as Peaches, Dixon, Jamie Lidell, & Gonzales, to name a few. http://djladydm.tumblr.com/

We’ll see you there!

We in the City, We on the Web

Former First Person Plural participants and multi-media art duo LoVid are currently producing/facilitating URQR, a project that we think speaks to the First Person Plural theme and the kinds of questions we’ve been posing through the FPP readings and website.  LoVid became interested in QR codes as part of the flow of near ubiquitous and invisible data around us; as they say, “Our networked, online activities dominate and shape our daily lives.  Do U begin where the flow of data ends?”.  The main feature of URQR was an interactive public project in which participants had a small segment of a large QR code painted across their faces.  A compilation of photographs of the participants’ painted faces will produce a QR code that will take the user to a website featuring, among other conversations, the original participants’ answers to questions such as the following:

What do you bring with you?

Where do you hold information?

How do you remember?

Face to Face with another, Where do your eyes wonder?

What do you notice first in a place?

What can you see through a lens that you don’t see otherwise?

In URQR, faces become part of a larger code for information, but they also submit to the very intimate act of having their face delicately worked on by a painter, a painter who asks questions and who can’t, in the end, eliminate contours, facial features– all the ways people resist becoming 2-dimensional.  LoVid says of the final compilation, of the QR code made up of many: “The machine will recognize the pattern.  The viewers will look for traces of personhood.  The lens will attempt to smooth the skeletal contour.  Viewers will identify the residue of expressions.”

Through our daily transactions, machines and virtual space become our minds, they hold our memory, they collectivize and abstract our identities.  But we are also eccentric cul de sacs, each of us.  To join the conversation about technology and selfhood, you can go, without irony, to U R QR on Facebook and @URQR_URQR on Twitter.

Check Out “Writing on It All” on Governor’s Island

It’s taboo to write on the walls of a house. But in this series of seven sessions, invited artists and writers, along with interested members of the public, collaborate in writing on the interior of an out-of-use house on Governors Island as part of “Writing On It All,” a series of interventions conceived of and executed by Alexandra Chasin and Jen Bleier.  Writing On It All takes place in an early 20th-Century house that used to serve as senior officer housing when Governors Island was a military base.

“Out of Regiment: A Project in Personal Mapping,” a project by FPP co-founder Wendy S. Walters, took place on June 22, 2013. Participants were asked to explore topics associated with the history of the island.  Among their own personal touchstones, they engaged with the concepts of fortress, harbor, isolation, and the sea.  All work produced during the session was subject to modification or erasure by subsequent participants, and the space was whitewashed following the event’s conclusion.

On June 29 a closed session is taking place with the Bellevue and NYU programs for survivors of torture.  The last session of the series that is open to the public, takes place on Sunday, June 30.  It will be hosted from 12 to 3 by Ébauche, a multi-genre collaborative arts project: Rebecca Bates, Contributing Editor, Guernica Magazine; Amanda Calderon, Poet, NYU; Haniya Rae, Co-Art Editor, Guernica Magazine.  We encourage everyone to check it out and experience the unique kind of community created by being in the space where everyone is allowed to break the same rule.  It’s the kind of event that is truly worth the trip.

To register for the open session on June 30, click here:
For more information about Writing on It All, click here:

April 1, 2013: We Went Down Swingin’!

Monday night was a rumble, a barn burner, a hot time in the still-cold city!  We had the best time at the last FPP reading of the season, in the company of Jericho Brown, eteam, Khadijah Queen, Rachel Sherman, and DJ Lady DM.

We were spellbound as Jericho Brown incanted poems about brutality and intimacy– between a boy and his father, between a mother and father, and between lovers.  He channeled Janis Joplin, writing of her throaty, desperate need, and then broadened to poems about the “we” of Harlem and of casual sex ads.  He sang it all, and we felt like we’d been to church (in a good way).

Multi-media artists eteam read from from their current project, “OS Grabeland.” For the project, they bought an allotment garden in former East Germany on ebay and became “landlords” to the farmers who use the garden.  They then recorded their tenants’ stories about the history of the land, but also declared the garden a cruise ship and took them on a virtual trip to American aboard it.  We got to hear the magical and disconcerting collision of the imagined and the real while photographs and video played in the background.

Next Khadijah Queen served up her singular and savvy wit, starting with a letter, “Dear Fear,” she’d written as part of the monumental Ann Hamilton show (“the event of a thread”) at the Armory earlier this year.  The letter portrayed a touching ambivalence in her relationship to fear– fear, in part, makes us, but it outlives its usefulness.  She read from her sharp and lightning quick poetry collections, Conduit and Black Peculiar, and closed with an excerpt from a hilarious “play” featuring biting social commentary disguised as dialogue between objects.

Rachel Sherman closed out the night with a story written expressly for the First Person Plural reading! In the brilliantly structured story, an unnamed group of employees (“we”) are charged with creating a coherent family movie from years of a wealthy business man’s home videos. The more they watch, the more concerned they grow for his wife, who despite, or perhaps because of, their four children, seems to be wasting away. The story was haunting and Rachel’s vision painfully acute.

Thanks again to our readers, to our bursting to the seams audience, and to DJ Lady DM who brought the live vibe!